Advent Calendar Day 11: Case of Berry Bros. & Rudd…
Competitions — 6 days
Competitions — 6 days
Competitions — 3 days
Competitions — 2 days
Competitions — 4 days
Competitions — 1 day
Competitions — 5 days
Competitions — 5 hours
How to — 6 days
Gear — 6 days
Travel — 6 days
Style — 4 days
Gear — 5 days
In a sleepy corner of north London, they are building the world.
Bellerby & Co Globemakers, one of the last traditional British – if not international – globemakers, first set up shop when Peter Bellerby wanted to make his father a gift for his 80th birthday. A ‘naïve’ venture, Bellerby tells me, but one which nevertheless set spinning his passion for globe-craft.
Today, a 15-strong team of artists, woodworkers and an engraver occupy a huge warehouse in Stoke Newington – a building bought when a particularly large globe wouldn’t fit through the door of their original premises.
With a mezzanine level and large greenhouse windows, the space may be industrial – but antique patterned rugs and potted plants give the factory a ‘gentleman’s study’ feel, and the classic globes look considerably less conspicuous as a result.
In a sleepy corner of north London, they are building the world
From tiny desktop models to the vast, 50-inch diameter ‘Churchill’, Bellerby & Co globes are all completely bespoke. And, with commissions booked in to the end of 2018, products at varying stages of completion are scattered about the workspace. Peter Bellerby shares what goes into crafting these pint-sized planets.
‘The most exciting part about the whole process,’ says the globemaker, ‘is that we invented our own way of doing things. That means that every globe is not only made to order, but is also entirely unique.
‘Obviously, the map of the world is the map of the world, so a globe will always be recognisable as a globe. But what can differ are cartography additions: hand-drawn and hand-painted illustrations; colour choice of land and ocean; the inclusion of various travel routes.’
To create the basic structure, Bellerby reveals, the globemakers fashion a perfect sphere using two half-moulds. In the past, the globes were made using plaster of Paris. Today, however, fibreglass is used to create the larger globes, with resin constituting the smaller.
‘Once the sphere is assembled,’ says the globemaker, ‘it needs to be weighted so that, when it spins, it rotates perfectly.’
After the cartography is updated and personalised to the customer’s preference, using a computer design program, the map is printed out and cut into precise oval-shaped strips called ‘gores’. Each gore is painted by the team using watercolours, dried and then attached to the globe itself, in a precise process called ‘goring the globe’.
The map of the world is the map of the world, so a globe will always be recognisable as a globe. But what can differ are cartography additions...
‘That’s very difficult,’ admits Bellerby. ‘Not only are you constantly fighting Pi – measuring and re-measuring to ensure everything goes to plan – you also have to be extremely delicate. Wetting the paper and stretching it means you’re working with a very fragile material. It can tear, rip or bubble and, if you work with one piece for too long, it can turn to papier-mâché.’
However, once this sticky process is completed, only final watercolour details are added before the whole globe is sealed with either a gloss or matte finish. Brass arms and meridians – all hand-engraved and personalised with a commissioning mark – are fitted, and then the globe is placed into its base.
‘We make all our bases in-house,’ says the globemaker. ‘We discuss various woods, finishes and design options with the customer and make them to order. At the moment, we’re working to match a base to a customer’s antique chairs.’
And, with that, the globe is completed. Taking between several weeks and six months to create, and with the potential for over 100 pieces of personalisation, Bellerby still says he gets a thrill helping a customer design their world, and filling it with stories of their lives and adventures. And, he adds, the craftsmen are glad to bring an old-fashioned charm and excitement back to maps, in a world of Google and smartphones.
‘You’re never going to look at a map app on your phone and say, wow, that’s beautiful!’ Bellerby reasons. ‘A map gets you from A to B, a globe is something to ponder over. It can inspire you to travel, make you understand where you belong in this amazing world, and help you reflect on its beauty and fragility. It’s rare to find something that requires such skilled craftsmanship to create, that’s made just for you. They really are one of a kind.’